BLACK AND WHITE PHOTOGRAPHY

By nature, black and white photography is an art, time and experimentation to master because it requires a number of challenges with increasing. If it does not play a real color, light, contrast and framing has become important in the best results in the photographic era of digital photography, editing will help you get there.But first you should your camera and its functions to images of the transformation process in black and white, to be completed by your photo-taking pre-optimized software. Here are 5 tips for the following tasks:• Always shoot in color and preferably in RAW - because it gives you more control and much of the information to operate and to work with in post processing. Also, if you will switch to black and white photographs from the camera settings in RAW all the information - including colors - and will facilitate the work of post-processing.
• Always take the lowest possible ISO - to suppress noise, the increase is automatic when you convert your images to avoid black and white. While you enjoy the feeling of the granular film images, you can always add them in the post-treatment, but it is incredibly difficult to remove and time-consuming.
• Take advantage of low contrast - they say that dark, dark days add a little more for the captured images, a sense of softness and smoothness to the final outcome of your story in black and white.
• Use existing light to good effect - shadows, highlights and different tones will make the difference in a black and white.
• Be smart coaching - your most important topic that will attract the attention of the viewer into the picture in black and white to present.Use foreground and background to create depth and thus more substance to your main topic

Cell phones boost digital photography's image.

Digital cameras are to foster an image from an unexpected source: cell phone cameras.

Interest in digital cameras is directly related to the growth in sales of mobile phones, which also include pictures, a new survey shows the technology market, an analyst at IDC.

The Survey of mobile imaging, released this week shows that more than a quarter of the users of camera phones tend to buy a digital camera, because their experience with the camera phone made them less intimidated by photography digitally.

The results contradict earlier speculation among market analysts and industry as camera phones would eventually replace digital cameras. Emerged from the first camera phone in the fall of 2000, the image quality improves, approaches by some digital cameras.

Camera phone users like to take pictures anywhere, anytime and send it immediately by e-mail.

However, users of a digital camera to "remember" images, such as family portraits and holiday snaps prefer to discover IDC.

These images are the images of memory, except for camera phone users are most likely and can print at home, according to the survey. Therefore, fewer phone camera images are printed on an average of one every three months now for a year last month.

IDC seems appropriate, some studies cited earlier this year by the Eastman Kodak Co. of typical camera phone. The company found that more than 70 percent of camera phone users rarely move images in a computer for archiving or print later.

Camera phones outsell digital cameras 12:56, but they are not the source of most digital images. Is taken by more than 7.5 billion images with camera phones this year, against about 40 billion from digital cameras, IDC.

The survey analyzed the responses of 150 people across the country, mostly 25 - to 44 years, it has been weighted to reflect the nation as a whole.

Digital Photography Technique - The Digital Super Shot Scoop

Digital photography technique offers both challenges and rewards. However, in essence, photography remains just that when you convert to digital cameras: you still have to know how to compose and shoot pictures to get the best results.

The way you see your subject, and visualize the resulting image doesn't change in any basic way with digital photography technique, but there are exciting new approaches and technologies to understand and to master!

Digital Photography Technique One - Pixel Parlance:

Bigger isn't always better. Having more pixels doesn't always translate into better images, as the size and quality of the pixels are also important. 6 Million pixels of a bigger size can actually give you a clearer image than 8 million of a smaller size.

Digital Photography Technique Two - Zoom Zones:

Optical zoom is more important for your image quality than digital zoom. Optical zoom delivers more detail to your camera sensor, whereas digital zoom is more of a cropping function applied to existing data (detail) captured by the sensor.

Digital Photography Technique Three - Making Sense Of Sensors:

Digital photography relies on sensors, which are often less discerning than film when it comes to rendering detail in shadows and highlights. You should therefore be careful not to "blow" your highlights. If they are not captured to start with, you can't adjust them afterwards in your software processing!

Digital Photography Technique Four - Grading The Grain:

While there is a general acceptance of the grain sometimes visible in film prints, the human eye is particularly good at seeing regular patterns, such as row-and-column "noise" in some digital prints. When you purchase your digital camera, it is a good idea to check the reviews regarding noise levels for particular models!

Digital Photography Technique Five - Color Coding:

What about black and white shots? Digital cameras take pictures in color. The most basic element of the digital darkroom, such as Photoshop, you will need to master, is how and when to turn your digital color images into exactly the black and white image you want.

Digital Photography Technique Six - Setting Selections:

In digital photography you the freedom to choose on a per-shot basis many settings you were locked into or restricted to, when using film, such as film speed and white balancing.

Digital Photography Technique Seven - RAW Rewards:

When purchasing a digital camera, you will have the option of models which produce only JPEG files (which are processed on board by your camera), or some which give the option of RAW files, which are unprocessed.

The assumption is that RAW files can then be processed on your computer with more powerful software to achieve the desired results. RAW converters are improved all the time. Over time you will get better results from your existing RAW format picture files by applying the latest converters when they become available.

RAW is like wine: it improves over time, just let it lie until the right converter comes along...

Digital Photography Technique Eight - LCD Leeching:

The LCD screen drains battery power. Use the viewfinder to compose your photographs. Most digital cameras will let you switch between the two.

Digital Photography Technique Nine - Histogram Hits:

You will need to figure out how to use the histogram function - once mastered it is an indispensable tool to get balanced pictures. Some cameras show the histogram in real time for easy correction of your exposure.

Digital Photography Technique Ten - Software Solutions:

Digital cameras are susceptible to artifacts and aberrations that film cameras are not, such as those resulting from JPEG file compression, oversharpening, etc. However, most of these problems can be dealt with by applying the correct software solutions before printing.

There is no mystery behind the images your camera produces. It is only a question of mastering digital photography technique

Article Source: http://EzineArticles.com/126277